MAPH Courses

While MAPH students are free to select from a wide range of courses across the Humanities departments (and beyond), our faculty do offer MAPH-specific courses, many of which are cross-listed in related departments (meaning that students can register for them under one of a number of different department headings). Some courses taught by MAPH professors may also only be available in their respective departments.

The following list details courses being taught by MAPH professors in the upcoming 2023-2024 school year. For more information, please email the course instructor. For registration questions, please email maph-registration@lists.uchicago.edu.
 

Autumn 2023

The Lives of Others – Darrel Chia

How much can you ever really know someone else? In this course, we take up the inscrutability of others through a range of narratives about - politically, socially, and geographically - distant others from the early 20th century. Texts include fiction, documentary film, and critical theory around transnationalism, contact zones and ethnography). Some of these texts meditate on the general problem of living with others. Others take on the limits of empathy, access, and friendship whether explicitly or in their formal arrangement. Specifically, we focus on works that engage with an ethics or “work on the self” as a preliminary to having knowledge of others.
We will be guided by readings that likely include Jacob Riis, How the Other Half Lives, E.M. Forster’s A Passage to India, Werner Herzog’s Grizzly Man, Victor Segalen’s Essay on Exoticism, Levi-Strauss’ Tristes Tropiques, Vikram Seth’s The Golden Gate, Amitav Ghosh’s In An Antique Land and J.M. Coetzee’s Elizabeth Costello. [MAPH/English]

The Principle of Sufficient Reason – Andrew Pitel

The Principle of Sufficient Reason (PSR) is the principle according to which every truth or fact can be explained. Appeals to explicability are pervasive in our everyday reasoning as well as in philosophy and the sciences – for example, the view that consciousness is grounded in physical features of the world is motivated by the thought that otherwise consciousness would be inexplicable. However, while the thought that phenomena admit of explanation motivates a great deal of philosophy, contemporary philosophers on the whole reject the PSR. Their reasons for doing so are partly because the PSR is thought to have the following surprising consequences: that God exists; that everything that could possibly be true is not only actually true, but necessarily true (also known as necessitarianism); and that only one thing exists (also known as monism). In this course we will read, write, and think about the philosophical tradition of metaphysical rationalism that is characterized by its embrace of the PSR. Our course will divide into three sections. First, we will study the ‘golden age’ of metaphysical rationalism in the 17th century through the writings of Spinoza and Leibniz. From there, we will turn to the recent resurgence of interest in metaphysical rationalism within analytic metaphysics, much of which has been influenced by scholars working in 17th century philosophy. In this second part of the course, we will discuss in a more systematic way the relation between the PSR and monism, necessitarianism, grounding, and metaphysical explanation. Finally, we will end by looking at Michael Della Rocca’s recent claims that the only consistent form of rationalism is a kind of radical monism, and that as such rationalism – and reason itself – may be self-undermining. Our aim in this course is to come to understand a historically important philosophical tradition that is undergoing a renaissance. It will serve as an introduction to work in the history of philosophy and contemporary metaphysics, and it will help students build the skills they need to continue engaging with both. [Philosophy]

Open to undergraduate and MA students, and all others with consent.


Gender, Capital, and Desire: Jane Austen and Critical Interpretation – Tristan Schweiger

Today, Jane Austen is one of the most famous (perhaps the most famous), most widely read, and most beloved of eighteenth- and nineteenth-century British novelists. In the two hundred years since her authorial career, her novels have spawned countless imitations, homages, parodies, films, and miniseries – not to mention a thriving “Janeite” fan culture. For just as long, her novels have been the objects of sustained attention by literary critics, theorists, and historians. For example, feminist scholars have long been fascinated by Austen for her treatments of feminine agency, sociality, and desire. Marxists read her novels for the light they shed on an emergent bourgeoisie on the eve of industrialization. And students of the “rise of the novel” in English are often drawn to Austen as a landmark case – an innovator of new styles of narration and a visionary as to the potentials of the form. This course will offer an in-depth examination of Austen, her literary corpus, and her cultural reception as well as a graduate-level introduction to several important schools of critical and theoretical methodology. We will read all six of Austen’s completed novels in addition to criticism spanning feminism, historicism, Marxism, queer studies, postcolonialism, and psychoanalysis. Readings may include pieces by Shoshana Felman, Frances Ferguson, William Galperin, Deidre Lynch, D.A. Miller, Edward Said, Eve Kosofsky Sedgwick, and Raymond Williams. [MAPH/English/Gender and Sexuality]

 

Winter 2024

Rocks, plants, ecologies: science fiction and the ‘more-than-human’ – Hilary Strang

Science fictional worlds are full of entities more familiar and perhaps less noticeable than the aliens that are often thought to typify the genre. Rock formations, plants, metallic seams, plastics, crystalline structures, nuclear waste and oozing seepages are among the entities that allow SF to form estranging questions about what it means to be in relation to others, what it means to live in and through an environment, and what it means to form relations of sustenance and communal possibility with those who do not or cannot return human care and recognition. Such questions about are urgent ones for thinking about climate catastrophe, capital, settler colonialism and endemic pandemics, as well as for thinking substantively about resistance and what life and livable worlds beyond the bleak horizons of the capitalocene could be. This class will engage science fiction (authors may include Ursula Le Guin, Vonda McIntyre, Kim Stanley Robinson, Nalo Hopkinson, Jeff Vandermeer and more) and environmental and social theory of various kind (authors may include Elizabeth Povinelli, Katherine Yusoff, Andreas Malm, Eduardo Kohn, James C. Scott, David Graeber, Jasper Bernes, Mike Davis and more). [MAPH/English]


1990s Videogame History – Chris Carloy

This course will trace developments in the videogame medium and videogame cultures in the final decade of the 20th century, discuss the unique possibilities and difficulties arising from the study of recent history, and put these discussions into practice through research- based assignments. Questions that will guide our study include: what was the relationship between technological innovations and stylistic changes in the videogame medium? How did the entry of new corporate and creative players into the business affect industrial structures and strategies? What do we make of "freedom," "realism," and other concepts that dominated videogame press coverage - and how were they connected to broader cultural discourses? How did understandings of what it meant to play videogames, and the types of experiences that videogames could offer, change over the course of the decade? What was the relationship between developments in the videogame medium and other media - from film and fiction to virtual reality and the Internet? How has this decade been remembered, conceptualized, preserved, and repackaged in subsequent decades? [MAPH/Cinema and Media Studies]


Queer Modernism – Agnes Malinowska

This course examines the dramatic revisions in gender and sexuality that characterize Anglo-American modernity. Together, we will read literary texts by queer writers to investigate their role in shaping the period's emergent regimes of sex and gender. We'll consider queer revisions of these concepts for their effect on the broader social and political terrain of the early twentieth century and explore the intimate histories they made possible: What new horizons for kinship, care, affect, and the everyday reproduction of life did modernist ideas about sex and gender enable? At the same time, we will seek to “queer” modernism by shifting our attention away from high literary modernism and towards modernism’s less-canonical margins. Our examination will center on queer lives relegated to the social and political margins—lives of exile or those cut short by various forms of dispossession. This class will double as an advanced introduction to queer theory, with a particular emphasis on literary criticism. [MAPH/English/Gender and Sexuality/American Studies]


Ships, Tyrants, and Mutineers – Tristan Schweiger

Since the Renaissance beginnings of the “age of sail,” the ship has been one of literature’s most contested, exciting, fraught, and ominous concepts. Ships are, on the one hand, globe-traversing spaces of alterity and possibility that offer freedom from the repression of land-based systems of power. And they are Michel Foucault’s example of the heterotopia par excellence. From Lord Byron to Herman Melville to Anita Loos, the ship has been conceived as a site of queerness and one that puts great pressure on normative constructions of gender. At the same time, the ship has been a primary mechanism for the brutality of empire and hegemony of capital, the conduit by which vast wealth has been expropriated from the colony, military domination projected around the world, and millions of people kidnapped and enslaved. Indeed, the horror of the “Middle Passage” of the Atlantic slave trade has been a major focus of inquiry for theorists like Paul Gilroy and Hortense Spillers, interrogating how concepts of racial identity and structures of racism emerge out of oceanic violence. In the 20th and 21st centuries, science-fiction writers have sent ships deep into outer space, reimagining human social relations and even humans-as-species navigating the stars. While focusing on the Enlightenment and 19th century, this course will examine literary and filmic texts through the present that have centered on the ship, as well as theoretical texts that will help us to deepen our inquiries. [MAPH/English]


Feeling Brown, Feeling Down – Megan Tusler

This course explores orientations such as shame, sickness, and melancholy to think critically about racial formations amidst capital and how these are posed alongside literary questions. As the entangled fields of ethnic studies, affect theory, and historicism continue to develop, genres of feeling shift and stretch; as such we understand that we will be exploring feelings that are difficult to name as well. Theoretical readings include Muñoz, Freud, Ahmed, and Klein; literary works include Morrison, Okada, and Larsen. [MAPH/English]


Crafting Modernity in America – Erica Warren

This course proposes that craft defined artmaking in the United States during the period after World War I and through to the post-World War II era. For the purposes of the course, craft will be broadly understood to encompass handmade items designed for practical use as well as artworks that, through concepts, materials, and/or processes, trace their lineage to a functional and handmade past. In framing this modernist history through craft, and discussing pedagogy, practitioners, objects, and theories of making, the course positions craft as a primary propagator of modernity. Artists with diverse material practices, such as Anni Albers, Emma Amos, Ruth Asawa, Faith Ringgold, and Lenore Tawney, will be central to the discussion and will foster an assessment and interrogation of craft’s role in producing and popularizing modern art more broadly.  

In addition to foregrounding the ubiquity of craft and its wide-reaching impacts on culture and society (including educational initiatives and programs, exhibitions and museum collections, and publications), this course will also question craft’s relative absence (until recently) in narratives of twentieth-century modernism in the United States. Furthermore, while craft has the potential to surface the classism, sexism, and media hierarchies in modern art historical discourse, the need to critically examine craft’s relationship with colonialism, racism, and sexism will also be addressed. [MAPH/Art History]

Spring 2024

Postcolonial Aesthetics – Darrel Chia

What do we mean by the “postcolonial aesthetic”? In this course, we read and think through the literary and conceptual resources that might help us reconstruct this notion – from Deepika Bahri, to Theodor Adorno and Walter Benjamin. Our goal is to attend to “the aesthetic” as an experience that reshapes subjectivity in terms of our relation to ourselves and others. By engaging with twentieth-century novels, memoir, and film, we consider how this postcolonial aesthetic might function. What habituated forms of perception or common sense notions does it seek to interrupt? What ways of sensing and living does it offer? Readings will likely include Ashis Nandy, Deepika Bahri, Theodor Adorno, Derek Walcott, Frantz Fanon, Arundhati Roy, and Jean Rhys. [MAPH/English]


Reproductive Modernism – Agnes Malinowska

In this class, we focus on the centrality of debates around women’s reproductive capacity in shaping the culture of modernity in the U.S. in the first few decades of the twentieth century. We look at the way that feminist politics, in conjunction with broader developments in industrial capitalist society, disrupted traditional pathways of reproduction, as these have revolved around women’s crucial role in sustaining the biological family and the home. We will read fiction, essays, and political tracts around “women’s work” and working class women, the birth control movement, feminist emancipation, marriage and the politics of the home, the rise of consumer culture, and the demands placed on both Black and white women during this period in reproducing “the race.” Most generally, we will focus on texts that both trouble and shore up motherhood as the central means of reproducing the biological life and social fabric of American culture. And we will likewise be interested in writers and political figures that sought to dramatically alter or even dismantle the reproductive social order altogether. [MAPH/English/Gender and Sexuality]

Prerequisites:
Open enrollment for all graduate students, as well as 3rd- and 4th-year undergraduate students with majors in the Humanities and Social Sciences. All others, please email amalinowska@uchicago.edu to request permission to enroll.


Descartes – Andrew Pitel

René Descartes is widely regarded as a (and perhaps the) foundational figure in modern philosophy, and he made seminal contributions to mathematics, natural science, and metaphysics. In this course we will work towards attaining a synoptic view of his thought. Our work together will be structured around a close, systematic reading of his Meditations on First Philosophy (i.e., on metaphysics), although we will read widely in the Cartesian corpus. Topics to be discussed include substance and mode; the nature of body; mind-body union; sensation; motion; causation; God and the infinite; and the will, among others. We will occasionally look to the medieval tradition to which Descartes was indebted, as well as to responses to his work by his contemporaries. Secondary sources will include writings by Lilli Alanen, Christia Mercer, Tad Schmaltz, Dan Garber, Anat Schechtman, Paul Hoffman, Marleen Rozemond, and John Carriero. [Philosophy]

Open to undergraduate and MA students, and all others with consent.


Science fiction against the state – Hilary Strang

Ursula Le Guin’s anarchist utopia, The Dispossessed, was published 50 years ago, but its complex imagining of a whole way of life without law, police, money or sovereignty, and its investment in thinking that way of living in relation to environment, gender, freedom and work offers a science fictional horizon for what it might be to live communally in our own moment. This course will read The Dispossessed and other science fiction that imagines what it might mean to live against, beyond or without the state, alongside theorizations that may help us formulate our own visions of other possible worlds. We will pay particular attention to questions of environment and ecological relations, race, gender and social reproduction, and feminist utopias. We’ll also spend some time thinking about actually existing forms of living against the state (including blockades, encampments, autonomous zones). SF authors may include Le Guin, Samuel Delany, Kim Stanley Robinson, Tade Thompson, Sally Gearhart, Iain Banks, and ME O’Brien and Eman Abdelhadi. Other authors read may include Saidiya Hartman, Monique Wittig, Fredy Perlman, James Scott, Pierre Clastres, and David Graeber. [MAPH/English]


California Fictions: Literature and Cinema – Megan Tusler

The spaces of California, the most populous state in the US, have been sites of literary study since its introduction into the union. This course turns to some cultural objects of Los Angeles, San Francisco, Oakland, rural central California, and the California roadways to give a survey of critical space studies and engage questions of urbanism, racialization, and borders. Secondary readings include LeFebvre, Certeau, and Mike Davis; literary works include Himes, Yamashita, and Acosta. [MAPH/English]