Deputy Director, Philosophy/MAPH Coordinator
Deputy Director, English and Literary Studies Coordinator
Hilary Strang is MAPH's Deputy Director and Lecturer in the Department of English. She has degrees in cultural studies and critical theory from Brown University and Carnegie Mellon, and a Ph.D. in English from Chicago. Her research interests include nineteenth century British literature, the novel, radical culture, science fiction and Marxism. She has published on Mary Wollstonecraft, Mary Shelley and biopolitics. Her current research is on unemployment as a biopolitical category in the mid-Victorian novel. Hilary also teaches literature in The Odyssey Project, a college-credit liberal arts program for low-income adults.
Maren Robinson graduated from MAPH in 2003. She wrote a play and a thesis length paper using Virginia Woolf and Peter Brook to examine gender, space and theatrical creation, a version of which was published in the Center for Classic Theater Review. Her interests include renaissance drama, dramaturgy, and performance studies. She has a B.A. in English from Montana State University. Maren toured with Montana Shakespeare in the Parks and was an artistic intern at Steppenwolf Theatre Company. Before returning to MAPH she was a researcher for civil rights attorneys. In her spare time, Maren teaches dramaturgy and script analysis at another four-year university, and works as a dramaturg for many Chicago theaters, especially TimeLine Theatre where she is a company member. She is happy to discuss MAPH, give recommendations for current dance and theater productions, or trade knitting patterns.
Sarah received her BA in Comparative Literature from the University of Georgia, where she specialized in Japanese language and literature. Like many MAPH students, she realized during the course of her MA year that she wanted to try something different from her undergraduate coursework, and was luckily in the kind of program that allowed her the flexibility to explore. She ended up with a thesis on Flannery O’Connor’s “Good Country People” and the concept of ugliness, applying ideas from affect theory and psychoanalysis. However, she still considers it, like most of her life, a work in progress. In her spare time, Sarah enjoys weird fiction, crocheting, horror movies and Vietnamese food.
Instructor, Teaching in the Community College
V. Joshua Adams
Joshua Adams is a PhD candidate in the Department of Comparative Literature, where he studies lyric poetry (mostly after 1800) and philosophy (mostly Wittgenstein and Cavell). His dissertation, "Skepticism and Impersonality in Modern Poetry" argues that various modern poets (Dickinson, Mallarmé, Eliot, Valéry, Merrill) experimented with impersonality in order to address a range of philosophical problems, including the privacy of experience, the accessibility of other minds, the relationship between mind and body, and the self. Other interests include the history and theory of lyric poetry, philosophy and literature, translation, myth, and modernism. He received an A.M. from the University of Chicago Divinity School in 2002, and a B.A from Georgetown University in the year 2000. An occasional writer and translator of poems, as well as a critic of contemporary poetry, he edited Chicago Review from 2008 to 2010. He lives in Hyde Park with his wife and daughter.
Joel Calahan is a PhD candidate in comparative literature at the University of Chicago, where he focuses on English and Italian lyric poetry. He received a BA in English literature (with a minor in linguistics) from Pomona College in 2004, and an MA in humanities from the University of Chicago in 2005. His dissertation focuses on the influence of philology and historical linguistics in the work of nineteenth-century poets like Leopardi, Coleridge, Belli, and Hardy. His research interests also include prosody, history of philosophy of language, and translation theory and practice. He translates the Italian poets Edoardo Sanguineti, Marcello Frixione, Laura Pugno, and Giovanna Frene. He has been the coeditor of Chicago Review since 2010, and writes about music for Signal to Noise magazine.
Darrel Chia is a PhD candidate in the Department of English at the University of Chicago, where he is working on a dissertation titled "Forms of Diplomacy: Figuring Ethical Life in 20th Century Imperial Publics". The dissertation explores developments in thinking about empire, world democracy, and transnational publics, from the turn of the century, to the Paris Peace Conference, through a variety of literary and intellectual sources. He is also interested in travel-writing and ethnography, the regulation of gender and sexuality, literary modernism, and nationalism. He received his LL.B. and B.A. in English and Comparative Literature from Murdoch University in 2000, and his B.A. (Hons) in English from The Australian National University in 2004. Prior to undertaking studies at the University of Chicago, he practiced for a number of years as an Australian lawyer specializing in contract law and commercial transactions. He enjoys walking his dog around the parks and lakeshore paths of Hyde Park.
Paul Durica is a graduate student in the Department of English with a focus on late nineteenth and early twentieth century American literature. His writing has appeared in Poetry, The Chicagoan, NewCity, Mid-American Review, Indiana Review, Tin House, and other places. In 2008 he started Pocket Guide to Hell Tours and Reenactments, a series of free and interactive events centered on Chicago history, including the 125th Anniversary Full-Scale Haymarket Reenactment and the Studs Terkel 100th Birthday Party. Pocket Guide to Hell has collaborated with institutions across the city, such as the Newberry Library, the Jane Addams Hull House Museum, and the Chicago Cultural Center, and has been written about in the Huffington Post, Vice, The Atlantic Cities, and The New York Times. He lives in Pilsen with two cats and is surrounded by an amazing community of friends.
Matt Hauske is a PhD candidate in the Department of Cinema and Media Studies. He received BAs in English and Film Studies from the University of California, Irvine in 2002 and an MA in Cinema Studies from NYU in 2005. His dissertation (currently between titles) concerns the cultural background and context of post-World War II Hollywood westerns, including the genre's intersection with contemporary aesthetic movements such as abstract expressionism; other forms of leisure, including automobile tourism and gambling; and alternate moving images practices, especially television. Other research interests include theories and practices of play and the aesthetics of scale.
Kerri Hunt is a PhD candidate in English at the University of Chicago. She received a BA in English and American Literature from NYU in 2003. A Victorianist by training and inclination, Kerri also studies and teaches a course on early 20th-century detective fiction. Her dissertation, “Reality Effects,” treats novels by Scott, Gaskell, and Dickens with an eye to the formal implications of their object-cluttered interiors. These writers, she argues, select and arrange the apparently innocuous objects which form the authenticating backgrounds of their narratives so that their novels also invoke and participate in contemporary debates about the nature, possibilities, and limits of fictional representation. Although she rarely escapes the ivory tower, Kerri does find some time to pursue outside interests including vintage fashion, world travel, and 1930s slang.
Daniel Smyth is a Ph.D. candidate in the Philosophy Department at the University of Chicago. He received his BA in Philosophy from the University of Chicago in 2005. His dissertation, “Infinity and Givenness: Kant’s Critical Theory of Intuition,” defends Immanuel Kant’s heterodox view that it is precisely the sensible, finite character of human cognition which enables knowledge of the mathematically infinite. When he isn’t indulging his Kant obsession, Daniel worries about how pictures picture, whether wrongs can be righted, and how group action affects personal accountability. Daniel also translates contemporary German philosophy, tries to paint, and fawns over his two kitties.
Keri received her BA in 2012 from the University of Michigan, with a concentration in English and minor in Italian. Her interests include late 19th and early 20th century American literature, the aesthetics of William Morris and the Arts and Crafts movement in Victorian England, old German and Norse literature and culture, and fashion. During her MAPH year, she worked with Jumpstart and developed an interest in the culture and politics of South Side Chicago. She wrote her MA thesis on the intersection between Modernism and issues of Vogue from the 1920s and 30s, focusing on feminine identity in Modernist fashions. In addition to mentoring in MAPH and teaching writing, she experiments with cooking and baking, relishes the latest Murakami novels, and frolics around Chicago with friends and family.
Jessi received her B.A. in History from Skidmore College in 2010. She moved to Chicago that fall and spent the next couple of years bussing tables in Bucktown, working as a litigation paralegal in a corporate law firm, and making sandwiches in a local wine and cheese shop. She spent the summer before MAPH in Berlin, where she studied German, sat in parks, and explored abandoned spaces. Jessi wrote a creative thesis consisting of short stories that feature a first person plural (“we”) narrator. For her critical component, she looked at how John Searle’s theory of collective intentionality relates to Christa Wolf’s use of the first person plural in the novel The Quest for Christa T. Jessi likes to cook, travel, and trade stories and she is enthusiastic about recommending places to eat and drink in Chicago.
Tavi Steinhardt graduated from the University of Redlands in 2011 with a BA in Philosophy, Religion, and Culture. Before coming to the University of Chicago, he spent a year teaching guitar and writing articles for travel websites. During his MAPH year, he wrote a thesis on religious pluralism and public reason in the work of John Rawls, and did most of his coursework in the philosophy and anthropology of religion. He spends his free time playing music and wandering around Chicago in search of weirdness.