Thomas Christensen is the Chair of the MAPH Faculty Advisory Board. Christensen’s scholarly research centers on the history of music theory. Fundamental to his work has been a desire to situate the many intellectual frames, arguments and linguistic models used by writers in the early modern period deeply within cultural discourses. Hence, as one example, Christensen’s 1993 monograph on Jean-Philippe Rameau attempts to analyze his music theory as a complex response to both the empirical as well as synthetic values of Enlightenment science. Other key articles have concerned the writings of the 17th-century savants, Marin Mersenne and Seth Calvisius, thorough-bass theory in the 18th century; the reception of Rameau’s theories in Germany; problems in the historiography of music theory; and the history and social aesthetics of playing piano transcriptions in the 19th century. Many of these articles have recently been reprinted in a volume that was published in 2014 entitled The Work of Music Theory. He has also attempted more synthetic surveys of historical music theory, particularly as editor of the Cambridge History of Western Music Theory (published in 2003; translations into Macedonian and Chinese).